Japanese court overturns Red RAW video patent
Discussion 21 comments
Don't the Lumix cameras support 4k recording with the Apple ProRES codec? https://www.dpreview.com/news/3429948804/apple-loses-patent-...
So what exactly is patentable here? Or is this the bone of contention here?
“ The camera can be configured to transform blue and red image data in a manner that enhances the compressibility of the data. The data can then be compressed and stored in this form. This allows a user to reconstruct the red and blue data to obtain the original raw data for a modified version of the original raw data that is visually lossless when demosaiced. Additionally, the data can be processed in a manner in which the green image elements are demosaiced first and then the red and blue elements are reconstructed based on values of the demosaiced green image elements.”
Video with high bit count per pixel. A finished video is 8-bit per pixel, but RAW video contains 10 to 14 bits per pixel, often in a camera-specific LOG format which has very low contrast and saturation and looks washed out. All of this helps preserve much of the detail and allows creators to have more flexibility in post-processing.
When shown under naive linearization and compression rather than good tone mapping
I totally get what you're saying and that is how film people talk about it but as a camera engineer it's annoying that people think washed out low sat is some intrinsic property of log.
This would be great but I’m not going to hold my breath.